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home·artworks·Portrait of a Lady, Probably Anne Simms Reeve of Brancaster Hall, Norfolk
Portrait of a Lady, Probably Anne Simms Reeve of Brancaster Hall, Norfolk by Frederick Sandys

plate no. 2161

Portrait of a Lady, Probably Anne Simms Reeve of Brancaster Hall, Norfolk

Frederick Sandys, 1860

oil, panelRomanticismportraitportraitfiguredressplantsbackgroundjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering of fabric textures. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background colors, blending the dark brown and patterned areas.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, and dress, using simplified color values.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value.

  5. step 05

    Add details to the hair, eyes, and mouth, capturing the likeness of the subject.

  6. step 06

    Work on the dress, rendering the folds and textures of the fabric.

  7. step 07

    Paint the plants, focusing on the shapes and colors of the leaves.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · viridian green · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, alizarin crimson, and a touch of burnt umber; use viridian green and yellow ochre for the plants; create the dark background with burnt umber and ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the hair and clothing.
  • →Flat or lifeless rendering of the plants.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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