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home·artworks·Portrait of a lady
Portrait of a lady by John Hoppner

plate no. 1885

Portrait of a lady

John Hoppner, 1790

oilRomanticismportraitportraitwomandresslandscapecurtainjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding soft blending techniques to create a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Begin layering skin tones, focusing on subtle color variations and soft blending.

  4. step 04

    Paint the dress and shawl, paying attention to the folds and textures.

  5. step 05

    Add details to the hair, jewelry, and facial features.

  6. step 06

    Refine the background landscape and curtain, using loose brushstrokes.

  7. step 07

    Adjust values and colors to create a harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · ivory black

Mix skin tones using white, red, yellow ochre, and a touch of umber or blue for shadows. Create the shawl color by mixing umber with black and a touch of red. The background landscape uses a mix of blues, greens, and browns.

techniques

  • ·portraiture
  • ·glazing
  • ·soft blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and losing the soft, luminous quality.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating harsh lines and edges instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, raw umber, cadmium red light, yellow ochre, ultramarine blue, burnt sienna, ivory black)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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