
plate no. 7949
John Absolon, 1855
This painting offers a good opportunity to practice watercolor washes and layering to create depth and form. Students can also learn to capture subtle skin tones and fabric textures using a limited color palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, chair, and background.
Apply a thin, diluted wash of a neutral color (e.g., raw sienna) to the entire paper as a base tone.
Begin layering in the darker values of the dress and hat, gradually building up the shadows.
Mix skin tones using a combination of red, yellow, and brown, and apply thin washes to the face and hands.
Paint the shawl with light washes of pink and red, allowing the colors to blend and bleed together.
Add details to the chair and background, using a fine brush to create texture and pattern.
Refine the details of the face, including the eyes, nose, and mouth.
Add final highlights and shadows to create depth and dimension.
color palette
primary · raw sienna · ivory black · alizarin crimson
secondary · yellow ochre · ultramarine blue
Mix skin tones by combining alizarin crimson, yellow ochre, and raw sienna, adjusting the proportions to achieve the desired shade. Use ultramarine blue to create cooler shadows and grays.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.
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