apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait Of A Lady
Portrait Of A Lady by George Frederick Watts

plate no. 9944

Portrait Of A Lady

George Frederick Watts

oil, canvasRomanticismportraitportraitfigurewomandresshairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle value shifts to create form. It also provides practice in creating a soft, atmospheric background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and dress.

  2. step 02

    Establish the main light and shadow areas on the face and dress with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, paying attention to the highlights and shadows.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  5. step 05

    Paint the dress, focusing on the folds and drapery, and how light interacts with the fabric.

  6. step 06

    Create the background with soft, blended brushstrokes, suggesting depth and atmosphere.

  7. step 07

    Add details to the hair, capturing its texture and form.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to achieve a cohesive and harmonious result.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · alizarin crimson · ivory black

Achieve skin tones by mixing white, raw sienna, and a touch of red. Use burnt umber and black to create shadows. Mix red and umber for the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Allow each layer of paint to dry slightly before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke