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home·artworks·Portrait of a lady
Portrait of a lady by Alexander Clarot

plate no. 2107

Portrait of a lady

Alexander Clarot, 1836

watercolor, paperRomanticismportraitportraitwomandressfur stolechairfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate fabrics and textures. It also provides practice in creating soft, diffused lighting and subtle color transitions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with a thin wash of neutral color, paying attention to the soft, diffused light.

  3. step 03

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the dress, focusing on the folds and drapery. Use a mix of blues and blacks to create depth and dimension.

  5. step 05

    Render the fur stole, using short, broken brushstrokes to create texture and volume.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using fine brushes and subtle color variations.

  7. step 07

    Paint the chair, paying attention to the wood grain and the way the light reflects off the surface.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Achieve the dark blue of the dress by mixing ultramarine blue and ivory black. Create the fur stole's color by blending raw umber, burnt umber, and a touch of black and white.

techniques

  • ·glazing
  • ·dry brushing
  • ·blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the details and losing the soft, delicate quality of the original.
  • →Using too much paint and creating a heavy, opaque effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations and creating a flat, lifeless painting.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·water container
  • ·paper towels
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·watercolor pencils

Use high-quality watercolor paints for best results. Stretch the watercolor paper before painting to prevent buckling.

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watercolor techniques →how to learn by studying the masters →
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