
plate no. 2107
Alexander Clarot, 1836
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate fabrics and textures. It also provides practice in creating soft, diffused lighting and subtle color transitions.
technical profile
approach — 8 steps
Create a light sketch outlining the main shapes and proportions of the figure and chair.
Establish the background with a thin wash of neutral color, paying attention to the soft, diffused light.
Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.
Paint the dress, focusing on the folds and drapery. Use a mix of blues and blacks to create depth and dimension.
Render the fur stole, using short, broken brushstrokes to create texture and volume.
Add details to the face, such as the eyes, nose, and mouth, using fine brushes and subtle color variations.
Paint the chair, paying attention to the wood grain and the way the light reflects off the surface.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · cadmium red light
secondary · ultramarine blue · yellow ochre · alizarin crimson
Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Achieve the dark blue of the dress by mixing ultramarine blue and ivory black. Create the fur stole's color by blending raw umber, burnt umber, and a touch of black and white.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Stretch the watercolor paper before painting to prevent buckling.
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