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home·artworks·Portrait of a goldsmith
Portrait of a goldsmith by Jacopo Pontormo

plate no. 4677

Portrait of a goldsmith

Jacopo Pontormo, 1518

oilMannerism (Late Renaissance)portraitportraitfiguremanhatclothinghand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and creating subtle gradations of light and shadow. It also offers practice in depicting textures, such as fabric and fur.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying close attention to proportions and angles.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, using thin layers of paint and subtle blending.

  4. step 04

    Develop the details of the clothing, hat, and fur collar, adding highlights and shadows.

  5. step 05

    Carefully render the features of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add the background, blending it smoothly to create depth.

  7. step 07

    Refine the details and adjust the values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red. Achieve darks by mixing black, umber, and a touch of blue. Use thin glazes to build up color and create subtle variations.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create enough contrast between light and shadow.
  • →Ignoring the subtle color variations in the clothing and background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·soft cloth or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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