
plate no. 2268
Thomas Stuart Smith, 1850
Recreating this painting will help students practice portrait proportions, mixing skin tones, and achieving soft watercolor washes. It also offers experience in rendering fabric folds and details in a hat.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.
Apply a thin, diluted wash of a warm neutral color (e.g., raw sienna) to the entire background.
Begin layering skin tones, starting with very light washes of pink and yellow, gradually building up the darker areas of the face.
Paint the hair with a mix of browns, adding darker values to create depth and form.
Mix a blue-gray color for the clothing and apply in loose washes, paying attention to the folds and shadows.
Paint the hat using a combination of browns, yellows, and blacks, varying the values to create texture and dimension.
Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.
Refine the overall composition by adding subtle shadows and highlights, and softening edges where needed.
color palette
primary · raw sienna · burnt sienna · ultramarine blue · cadmium red light
secondary · ivory black · yellow ochre
Mix skin tones by combining red, yellow, and a touch of blue or brown. Achieve the blue-gray of the clothing by mixing ultramarine blue with burnt sienna and white. Use varying dilutions to control value.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve varying levels of detail.
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