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home·artworks·Portrait of a Girl with a Hat
Portrait of a Girl with a Hat by Thomas Stuart Smith

plate no. 2268

Portrait of a Girl with a Hat

Thomas Stuart Smith, 1850

oilRomanticismportraitportraitfigurehatgirlhairclothing
some experience helpful

Recreating this painting will help students practice portrait proportions, mixing skin tones, and achieving soft watercolor washes. It also offers experience in rendering fabric folds and details in a hat.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Apply a thin, diluted wash of a warm neutral color (e.g., raw sienna) to the entire background.

  3. step 03

    Begin layering skin tones, starting with very light washes of pink and yellow, gradually building up the darker areas of the face.

  4. step 04

    Paint the hair with a mix of browns, adding darker values to create depth and form.

  5. step 05

    Mix a blue-gray color for the clothing and apply in loose washes, paying attention to the folds and shadows.

  6. step 06

    Paint the hat using a combination of browns, yellows, and blacks, varying the values to create texture and dimension.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  8. step 08

    Refine the overall composition by adding subtle shadows and highlights, and softening edges where needed.

color palette

primary · raw sienna · burnt sienna · ultramarine blue · cadmium red light

secondary · ivory black · yellow ochre

Mix skin tones by combining red, yellow, and a touch of blue or brown. Achieve the blue-gray of the clothing by mixing ultramarine blue with burnt sienna and white. Use varying dilutions to control value.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·blending
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Making the skin tones too flat and uniform
  • →Losing the soft, delicate quality of the original

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat, various sizes)
  • ·Watercolor paper (140lb cold press)
  • ·Palette
  • ·Water container
  • ·Pencil (2H or HB)
  • ·Eraser
  • ·Paper towels

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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