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home·artworks·Portrait of a girl (Maria Maxmiliana)
Portrait of a girl (Maria Maxmiliana) by Hans von Aachen

plate no. 7654

Portrait of a girl (Maria Maxmiliana)

Hans von Aachen, 1612

oilMannerism (Late Renaissance)portraitportraitgirlfigurehairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating soft, diffused lighting effects. The subtle color variations and blending techniques will also improve their understanding of color theory and application.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the girl's head and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the basic skin tones using a limited palette of warm and cool colors.

  4. step 04

    Begin layering and blending the skin tones to create smooth transitions and subtle variations.

  5. step 05

    Paint the hair, focusing on capturing the highlights and shadows.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Paint the clothing, paying attention to the folds and drapery.

  8. step 08

    Refine the details and add final touches to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows. Add small amounts of blue to cool down the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Using too much black, making the shadows appear muddy.
  • →Ignoring the subtle color variations in the skin.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a smooth canvas for best results. Consider using a medium to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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