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home·artworks·Portrait of a Girl
Portrait of a Girl by Thomas Stuart Smith

plate no. 3621

Portrait of a Girl

Thomas Stuart Smith, 1850

oilRomanticismportraitportraitgirlhairdressprofilechair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also provides practice in watercolor techniques like layering and glazing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch outlining the basic shapes and proportions of the girl's head, shoulders, and chair.

  2. step 02

    Apply a thin wash of diluted yellow ochre to the background.

  3. step 03

    Begin layering washes of color on the face, starting with a very light pink for the skin tones. Build up the color gradually, paying attention to the subtle variations in value.

  4. step 04

    Paint the hair using a mix of yellow ochre, burnt sienna, and a touch of brown. Use small, broken brushstrokes to suggest the texture of the curls.

  5. step 05

    Apply washes of blue and gray to the dress, creating soft shadows and highlights.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth. Use a fine brush and diluted paint for precision.

  7. step 07

    Paint the chair using a mix of brown and gray. Add subtle details to suggest the texture of the wood.

  8. step 08

    Make final adjustments to the values and colors to create a harmonious and balanced composition.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · alizarin crimson · raw umber · titanium white

Mix pink skin tones by diluting alizarin crimson with yellow ochre and white. Achieve hair color variations by blending yellow ochre, burnt sienna, and raw umber. Create the dress color with ultramarine blue and a touch of raw umber or gray.

techniques

  • ·watercolor washes
  • ·layering
  • ·glazing
  • ·dry brush
  • ·blending

common pitfalls

  • →Overworking the details in the face
  • →Using colors that are too saturated
  • →Failing to create a sense of depth and dimension
  • →Not paying attention to the proportions of the figure

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Paper towels

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paints for best results. Choose brushes that are appropriate for the size and detail of the painting. Stretch the watercolor paper before painting to prevent buckling.

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oil painting for beginners →how to learn by studying the masters →
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