
plate no. 3621
Thomas Stuart Smith, 1850
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also provides practice in watercolor techniques like layering and glazing.
technical profile
approach — 8 steps
Create a light pencil sketch outlining the basic shapes and proportions of the girl's head, shoulders, and chair.
Apply a thin wash of diluted yellow ochre to the background.
Begin layering washes of color on the face, starting with a very light pink for the skin tones. Build up the color gradually, paying attention to the subtle variations in value.
Paint the hair using a mix of yellow ochre, burnt sienna, and a touch of brown. Use small, broken brushstrokes to suggest the texture of the curls.
Apply washes of blue and gray to the dress, creating soft shadows and highlights.
Add details to the face, such as the eyes, nose, and mouth. Use a fine brush and diluted paint for precision.
Paint the chair using a mix of brown and gray. Add subtle details to suggest the texture of the wood.
Make final adjustments to the values and colors to create a harmonious and balanced composition.
color palette
primary · yellow ochre · burnt sienna · ultramarine blue
secondary · alizarin crimson · raw umber · titanium white
Mix pink skin tones by diluting alizarin crimson with yellow ochre and white. Achieve hair color variations by blending yellow ochre, burnt sienna, and raw umber. Create the dress color with ultramarine blue and a touch of raw umber or gray.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Choose brushes that are appropriate for the size and detail of the painting. Stretch the watercolor paper before painting to prevent buckling.
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