apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Girl
Portrait of a Girl by Friedrich von Amerling

plate no. 2599

Portrait of a Girl

Friedrich von Amerling, 1837

oil, canvasRomanticismportraitportraitfigurehairdressdraperyface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering soft, diffused lighting. It also provides practice in depicting fabric folds and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and drapery.

  2. step 02

    Establish the background with a dark, muted tone, gradually blending it to create a subtle gradient.

  3. step 03

    Block in the main areas of color: skin tones, hair, dress, and blue drapery.

  4. step 04

    Begin refining the skin tones, layering and blending colors to create smooth transitions and subtle highlights.

  5. step 05

    Develop the hair, paying attention to the direction of the strands and the way light reflects off them.

  6. step 06

    Work on the drapery, creating folds and shadows to give it volume and depth.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth, ensuring accurate proportions and subtle shading.

  8. step 08

    Make final adjustments to the values and colors, ensuring a harmonious and balanced composition.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · raw sienna

Achieve skin tones by mixing titanium white, yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue and burnt umber for the dark background. Mix ultramarine blue with white for the drapery.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or unnatural skin tones
  • →Flat or lifeless drapery
  • →Lack of subtle value changes
  • →Overblending, resulting in a muddy appearance

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, yellow ochre, burnt umber, ultramarine blue, cadmium red)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke