apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Gentleman in a Black Cap
Portrait of a Gentleman in a Black Cap by Sebastiano del Piombo

plate no. 8041

Portrait of a Gentleman in a Black Cap

Sebastiano del Piombo

oilHigh Renaissanceportraitportraitfigurebookcolumnclothingtable
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle tonal variations to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Establish the background with thin washes of brown and beige, paying attention to the subtle gradations of light.

  3. step 03

    Block in the main shapes of the figure, focusing on accurate proportions and the overall silhouette.

  4. step 04

    Begin to develop the values in the face, using thin layers of paint to build up the form.

  5. step 05

    Work on the clothing, carefully observing the folds and shadows to create a sense of volume and texture.

  6. step 06

    Add details to the books and table, paying attention to the highlights and shadows.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · sap green · yellow ochre

Mix various shades of brown and black by combining raw umber, burnt sienna, and ivory black. Use titanium white to create highlights and lighten the skin tones. Mix sap green and yellow ochre to create the green of the table.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Using too much paint and losing the subtle tonal variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael