apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Gentleman
Portrait of a Gentleman by Lorenzo Lotto

plate no. 6642

Portrait of a Gentleman

Lorenzo Lotto, 1530

oil, canvasHigh Renaissanceportraitfigureportraitbeardclothinglandscapewindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic textures in clothing and skin. It also provides practice in creating depth and atmosphere in a landscape background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then the figure's clothing.

  3. step 03

    Begin to refine the facial features, focusing on accurate placement and shading.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and highlights.

  5. step 05

    Add details to the hands and the object they are holding.

  6. step 06

    Refine the background landscape, adding details and atmospheric perspective.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix various shades of black and brown with white to create the dark clothing. Use small amounts of red and yellow to warm up the skin tones. Mix blue and white with touches of yellow and red for the landscape.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Not creating enough contrast in the values.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, burnt umber, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael