apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Child
Portrait of a Child by Ivan Mrkviсka

plate no. 1449

Portrait of a Child

Ivan Mrkviсka

oilImpressionismportraitportraitchildfigurehairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft light and shadow. It also provides practice in blending and layering paint to achieve subtle color transitions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the child's head, shoulders, and clothing.

  2. step 02

    Block in the background with broad strokes of dark blues and purples.

  3. step 03

    Establish the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Begin layering and blending colors to refine the facial features, paying attention to subtle variations in tone.

  5. step 05

    Paint the hair, using short, broken strokes to suggest texture and movement.

  6. step 06

    Block in the dark blue of the clothing, then add highlights and shadows to create depth.

  7. step 07

    Paint the white collar, paying attention to the delicate lace details.

  8. step 08

    Add final details and refine the edges of the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre · alizarin crimson

secondary · burnt umber · ivory black

Mix skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create dark blues and grays for the background and clothing. Add white to these mixtures to create lighter values.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·broken color
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Getting the proportions of the face wrong.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for this project.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann