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home·artworks·Portrait of a Cabman
Portrait of a Cabman by Alexander Orlowski

plate no. 0198

Portrait of a Cabman

Alexander Orlowski, 1820

oilRomanticismportraitportraitfigurebeardhatclothingfur
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering textures like fur and fabric. It also provides practice in using cross-hatching and stippling techniques to create form and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using light washes of color.

  3. step 03

    Begin layering colors to build up depth and form in the face, hat, and clothing.

  4. step 04

    Use cross-hatching and stippling to create texture in the beard, fur collar, and hat.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying attention to subtle variations in color and value.

  6. step 06

    Refine the edges and contours of the figure to create a sense of realism.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the painting.

  8. step 08

    Consider adding the signature at the bottom.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix burnt umber and ivory black to create the darker tones in the clothing and beard. Use yellow ochre and raw sienna for the hat and fur, adding touches of alizarin crimson for warmth. Mix ultramarine blue with burnt umber for the cooler shadows.

techniques

  • ·cross-hatching
  • ·stippling
  • ·layering
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in color and value.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·ruler
  • ·kneaded eraser
  • ·masking fluid

Use high-quality watercolor paper to prevent buckling and ensure that the colors blend smoothly. Experiment with different brush sizes to achieve a variety of textures.

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oil painting for beginners →how to learn by studying the masters →
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