apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Boy (Ted)
Portrait of a Boy (Ted) by Joseph DeCamp

plate no. 8521

Portrait of a Boy (Ted)

Joseph DeCamp, 1902

oil, canvasImpressionismportraitportraitboyfigurelandscapebuildingssky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as creating atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the boy's figure, the background horizon, and key features.

  2. step 02

    Block in the large areas of color: the sky, the landscape, the boy's skin, and his clothing.

  3. step 03

    Refine the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the boy's face, such as the eyes, nose, and mouth, focusing on capturing his likeness.

  5. step 05

    Develop the background landscape, using lighter values and softer edges to create a sense of distance.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the boy's clothing, paying attention to the folds and creases.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · burnt sienna · ivory black · yellow ochre

secondary · ultramarine blue · cadmium red light

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red. Create atmospheric perspective in the background by mixing blues and whites with small amounts of the landscape colors.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details in the face, resulting in a stiff or unnatural appearance.
  • →Failing to create a sense of depth in the background landscape.
  • →Using colors that are too saturated, resulting in a garish or unrealistic appearance.
  • →Ignoring the subtle variations in skin tone, resulting in a flat or lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann