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home·artworks·Portrait of a Botanist (Ulisse Aldrovandi?)
Portrait of a Botanist (Ulisse Aldrovandi?) by Bartolomeo Passerotti

plate no. 6022

Portrait of a Botanist (Ulisse Aldrovandi?)

Bartolomeo Passerotti, 1570

canvas, oilMannerism (Late Renaissance)portraitportraitfigurebotanistplantsclothingbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background color with a thin wash of burnt umber and red.

  3. step 03

    Block in the main shapes of the figure, including the clothing, hat, and face, using simplified values.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing, adding folds and texture with darker and lighter values.

  6. step 06

    Paint the plants and other objects in the background, focusing on their shapes and colors.

  7. step 07

    Refine the details of the hands and facial hair, adding subtle highlights and shadows.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · sap green

Mix various shades of brown and black by combining burnt umber, ivory black, and small amounts of red. Create skin tones by mixing white, yellow ochre, and a touch of red.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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