apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a bearded man (Giorgione Barbarelli)
Portrait of a bearded man (Giorgione Barbarelli) by Lorenzo Lotto

plate no. 6587

Portrait of a bearded man (Giorgione Barbarelli)

Lorenzo Lotto, 1512

oilHigh Renaissanceportraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features, as well as subtle blending techniques to create realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the proportions of the head, shoulders, and facial features.

  2. step 02

    Block in the main areas of color: the skin tones, hair, beard, clothing, and background.

  3. step 03

    Start refining the skin tones, using subtle layers of color to create highlights and shadows.

  4. step 04

    Work on the beard and hair, paying attention to the direction of the strands and the variations in color and value.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Add details to the clothing, such as the folds and textures of the fabric.

  7. step 07

    Refine the background, ensuring that it complements the subject without distracting from it.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and ivory black to create the dark tones in the clothing and hair. Add white to these mixtures for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to the direction of the hair strands.
  • →Insufficient contrast between highlights and shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael