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home·artworks·Portrait of a Bearded Man
Portrait of a Bearded Man by Mårten Eskil Winge

plate no. 2904

Portrait of a Bearded Man

Mårten Eskil Winge, 1862

oilRomanticismportraitportraitmanbeardhairfacefigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing light and shadow on the face and rendering the texture of hair and beard. It also provides practice in limited palette painting and achieving subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic proportions and placement of the head, beard, and hair.

  2. step 02

    Establish the overall tonal range by applying a thin wash of burnt umber or a similar earth tone across the canvas.

  3. step 03

    Block in the darkest areas of the background, hair, and shadows on the face using a darker mix of burnt umber and black.

  4. step 04

    Begin building up the mid-tones on the face and beard, gradually adding lighter values with mixtures of yellow ochre, raw sienna, and white.

  5. step 05

    Focus on capturing the light on the forehead, nose, and cheekbones, paying close attention to the subtle gradations of tone.

  6. step 06

    Add details to the eyes, eyebrows, and mouth, using small brushes and careful observation.

  7. step 07

    Develop the texture of the hair and beard by using short, broken brushstrokes and varying the direction of the strokes.

  8. step 08

    Refine the edges of the figure and adjust the overall tonal balance to create a sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black

Achieve skin tones by mixing yellow ochre, burnt umber, and white in varying proportions. Use burnt umber and black for shadows, and add small amounts of raw sienna to warm up the highlights.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·tonal painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Using too much paint and losing the subtle gradations of tone.
  • →Ignoring the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Burnt umber oil paint
  • ·Yellow ochre oil paint
  • ·Titanium white oil paint
  • ·Raw sienna oil paint
  • ·Ivory black oil paint
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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