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home·artworks·Portrait Group Of The Artists Family
Portrait Group Of The Artists Family by Edward Burne-Jones

plate no. 1169

Portrait Group Of The Artists Family

Edward Burne-Jones

oilRomanticismportraitfigurespianoportraitsindoor scenefamily
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing subtle skin tones and rendering realistic fabric folds. It also provides practice in creating a harmonious color scheme using a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figures, piano, and background.

  2. step 02

    Establish the overall warm tone of the painting with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main shapes and values of each figure, paying attention to the light source.

  4. step 04

    Start layering colors to build up the skin tones, using subtle variations of browns, yellows, and reds.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures.

  6. step 06

    Paint the piano, capturing its wooden texture and the details of the hardware.

  7. step 07

    Refine the background, ensuring it complements the figures without distracting from them.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · yellow ochre · titanium white

secondary · cadmium red light · ivory black

Achieve the skin tones by mixing burnt umber, raw sienna, yellow ochre, and titanium white. Use small amounts of cadmium red for warmth and ivory black for shadows.

techniques

  • ·layering
  • ·glazing
  • ·blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions in the figures.
  • →Ignoring the subtle variations in skin tones.
  • →Creating too much contrast, which can make the painting look harsh.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the warm undertones.

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