
plate no. 0985
Recreating this painting will help students practice color mixing for skin tones and learn how to suggest form with visible brushstrokes. It also provides practice in capturing a likeness and creating a sense of depth through layering.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure and chair, paying attention to proportions.
Block in the background with broad strokes of gray and blue.
Establish the main skin tones using a mix of browns, yellows, and reds.
Paint the bikini with a base layer of yellow-orange.
Begin defining the form of the figure by adding shadows and highlights to the skin.
Paint the chair using various shades of blue and turquoise, suggesting the wicker pattern with broken brushstrokes.
Refine the facial features and add details to the hair.
Add final touches and adjust values as needed.
color palette
primary · yellow ochre · burnt umber · ultramarine blue
secondary · cadmium yellow · titanium white · alizarin crimson
Skin tones are achieved by mixing yellow ochre, burnt umber, and alizarin crimson with varying amounts of white. The chair color is created by mixing ultramarine blue with white and a touch of yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
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