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home·artworks·Portrait d'une Américaine
Portrait d'une Américaine by Maurice Boitel

plate no. 0985

Portrait d'une Américaine

Maurice Boitel

oilImpressionismportraitfigureportraitchairwomanbikiniindoor
some experience helpful

Recreating this painting will help students practice color mixing for skin tones and learn how to suggest form with visible brushstrokes. It also provides practice in capturing a likeness and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and chair, paying attention to proportions.

  2. step 02

    Block in the background with broad strokes of gray and blue.

  3. step 03

    Establish the main skin tones using a mix of browns, yellows, and reds.

  4. step 04

    Paint the bikini with a base layer of yellow-orange.

  5. step 05

    Begin defining the form of the figure by adding shadows and highlights to the skin.

  6. step 06

    Paint the chair using various shades of blue and turquoise, suggesting the wicker pattern with broken brushstrokes.

  7. step 07

    Refine the facial features and add details to the hair.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · titanium white · alizarin crimson

Skin tones are achieved by mixing yellow ochre, burnt umber, and alizarin crimson with varying amounts of white. The chair color is created by mixing ultramarine blue with white and a touch of yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·blocking in

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Not paying attention to the proportions of the figure.
  • →Making the skin tones too flat and lifeless.
  • →Struggling with the complexity of the chair's wicker pattern.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, burnt umber, ultramarine blue, cadmium yellow, titanium white, alizarin crimson)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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