
plate no. 0010
Georges Rochegrosse, 1900
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing impressionistic brushwork for the background.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the main areas of light and shadow with thin washes of color.
Begin building up the skin tones, focusing on subtle variations in color and value.
Define the features of the face, paying attention to the eyes, nose, and mouth.
Paint the clothing, capturing the folds and textures of the fabric.
Develop the background with loose, impressionistic brushstrokes.
Add highlights and details to the figure and background.
Refine the painting, making adjustments to the colors, values, and edges.
color palette
primary · titanium white · yellow ochre · ultramarine blue · burnt umber
secondary · cadmium yellow · alizarin crimson · viridian
Skin tones can be achieved by mixing white, yellow ochre, and a touch of red and blue. Greens are created by mixing blues and yellows, with umber added to dull the color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the color mixing process.
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