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home·artworks·Portrait d'Odette Désirée Thérèse Godefroy de Suresnes
Portrait d'Odette Désirée Thérèse Godefroy de Suresnes by Anne-Louis Girodet

plate no. 3539

Portrait d'Odette Désirée Thérèse Godefroy de Suresnes

Anne-Louis Girodet

oilRomanticismportraitportraitwomanfurdresshairfigure
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering textures like fur and fabric. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the head, shoulders, and fur.

  2. step 02

    Establish the background with a thin, even layer of dark neutral color.

  3. step 03

    Block in the main areas of color: skin tones, hair, dress, and fur, focusing on accurate values.

  4. step 04

    Refine the skin tones by layering and blending colors to create smooth transitions and subtle variations.

  5. step 05

    Add details to the hair, using small brushstrokes to define the curls and highlights.

  6. step 06

    Work on the dress, paying attention to the folds and shadows to create a sense of volume.

  7. step 07

    Render the fur by layering different shades of brown and gray, using short, broken brushstrokes to simulate the texture.

  8. step 08

    Add final highlights and details to the face, hair, and fur to bring the portrait to life.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and blue. Fur colors are created by blending various shades of brown and gray, with highlights of white and yellow ochre.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·rendering textures

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Over-blending skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle value variations in the fur.
  • →Getting the likeness wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering and blending.

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