
plate no. 1754
Louise Abbéma, 1879
Recreating this painting would help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in depicting fabric textures and details.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure on the canvas.
Establish the background with a dark, muted tone.
Block in the main shapes of the figure, focusing on the overall form and proportions.
Begin layering in the skin tones, paying attention to highlights and shadows.
Develop the details of the clothing, including the folds and textures.
Add the details of the hair, using short, broken brushstrokes to create a sense of movement.
Paint the jewelry and other accessories, paying attention to their reflective qualities.
Refine the details and adjust the values to create a cohesive and realistic portrait.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · alizarin crimson · ultramarine blue · burnt sienna
Mix skin tones by blending white, yellow ochre, and a touch of red and umber. Use ultramarine blue and alizarin crimson to create the deep purples in the bow. Muted greens can be achieved by mixing yellow ochre, ivory black, and a touch of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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