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home·artworks·Portrait de Madame Roger Jourdain
Portrait de Madame Roger Jourdain by Paul-Albert Besnard

plate no. 5456

Portrait de Madame Roger Jourdain

Paul-Albert Besnard, 1885

oilImpressionismportraitfigureportraitdressflowersinteriorwindow
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric with light and shadow. It also provides practice in creating atmospheric perspective and depicting subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main elements of the background.

  2. step 02

    Establish the basic values and color blocks for the skin tones, dress, and background.

  3. step 03

    Begin layering in the mid-tones and highlights on the face, paying attention to the subtle shifts in color.

  4. step 04

    Develop the form of the dress by adding layers of light and shadow, focusing on the folds and drapery.

  5. step 05

    Refine the background, adding details to the flowers and the window scene.

  6. step 06

    Work on the details of the hands and arms, capturing the subtle nuances of light and shadow.

  7. step 07

    Add final highlights and details to the face, dress, and background.

  8. step 08

    Glaze to unify the painting and adjust colors as needed.

color palette

primary · titanium white · ivory black · alizarin crimson · yellow ochre

secondary · ultramarine blue · raw umber · cadmium yellow light

Achieve skin tones by mixing titanium white, yellow ochre, alizarin crimson, and a touch of ivory black. Create the dress color by mixing titanium white with small amounts of alizarin crimson and ultramarine blue. Use raw umber and ivory black for the darker areas.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Creating harsh lines instead of soft transitions.
  • →Ignoring the overall atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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