apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait De Jeune Fille
Portrait De Jeune Fille by Elisabeth Sonrel

plate no. 9503

Portrait De Jeune Fille

Elisabeth Sonrel

oilArt Nouveau (Modern)portraitportraityoung womanclothingfacehaircollar
some experience helpful

This portrait would teach students fundamental skills in skin tone mixing, subtle facial modeling, and creating soft transitions between colors. Students would develop precision in capturing facial features and learn to work with a limited, harmonious color palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
2
compositional simplicity
5

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch establishing facial proportions and basic shapes

  2. step 02

    Block in the basic flesh tones using warm peachy-pink mixtures

  3. step 03

    Establish the hair mass with brown tones, keeping it simple initially

  4. step 04

    Paint the clothing with pale mint green, leaving areas for highlights

  5. step 05

    Refine facial features, starting with the eyes and working outward

  6. step 06

    Add subtle shadows around the nose, under the chin, and eye sockets

  7. step 07

    Detail the hair texture with individual strokes and highlights

  8. step 08

    Finish with final details like the collar decoration and soft blending

color palette

primary · cadmium red light · yellow ochre · titanium white · raw umber

secondary · viridian green · burnt sienna · ultramarine blue

Mix flesh tones using white, yellow ochre, and tiny amounts of cadmium red. Create the mint green clothing color with white, viridian, and a touch of yellow ochre.

techniques

  • ·soft blending
  • ·color temperature variation
  • ·subtle value transitions
  • ·precise brushwork
  • ·skin tone mixing

common pitfalls

  • →Making skin tones too pink or orange
  • →Creating harsh edges around features
  • →Overworking facial details too early
  • →Using pure colors without proper mixing

materials

surface · primed canvas or linen board

required

  • ·#2 flat brush
  • ·#6 flat brush
  • ·#4 round brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·raw umber oil paint
  • ·viridian green oil paint
  • ·stretched canvas 11x14

optional

  • ·palette knife for mixing
  • ·painting medium
  • ·#1 liner brush for details

Use quality brushes for smooth blending, and work in thin layers to build up subtle color variations

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois