
plate no. 6180
Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle skin tones. It also provides practice in rendering soft, diffused lighting and creating depth through value changes.
technical profile
approach — 8 steps
Sketch the basic proportions of the head and shoulders, paying attention to the placement of facial features.
Block in the large shapes of the hair, face, and clothing with thin washes of color.
Establish the darkest values in the background and hair to create contrast.
Begin building up the skin tones with layers of subtle color variations, focusing on the highlights and shadows.
Refine the facial features, paying close attention to the eyes, nose, and mouth.
Add details to the hair and clothing, using soft brushstrokes to create texture.
Glaze over the painting with thin layers of color to unify the tones and create a sense of depth.
Add final highlights and details to complete the portrait.
color palette
primary · burnt umber · yellow ochre · titanium white · cadmium red light
secondary · ivory black · ultramarine blue
Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white, adjusting the proportions to create subtle variations. Use burnt umber and ivory black to create the dark tones in the background and hair.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke