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home·artworks·Portrait De Jean Montfraix À L'âge De Douze Ans
Portrait De Jean Montfraix À L'âge De Douze Ans by Benjamin Constant

plate no. 6180

Portrait De Jean Montfraix À L'âge De Douze Ans

Benjamin Constant

oilRomanticismportraitportraitfigurechildhairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle skin tones. It also provides practice in rendering soft, diffused lighting and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the head and shoulders, paying attention to the placement of facial features.

  2. step 02

    Block in the large shapes of the hair, face, and clothing with thin washes of color.

  3. step 03

    Establish the darkest values in the background and hair to create contrast.

  4. step 04

    Begin building up the skin tones with layers of subtle color variations, focusing on the highlights and shadows.

  5. step 05

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the hair and clothing, using soft brushstrokes to create texture.

  7. step 07

    Glaze over the painting with thin layers of color to unify the tones and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red light

secondary · ivory black · ultramarine blue

Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white, adjusting the proportions to create subtle variations. Use burnt umber and ivory black to create the dark tones in the background and hair.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Overworking the details, resulting in a stiff and unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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