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home·artworks·Portrait d'Antonio Cortès
Portrait d'Antonio Cortès by Léo Gausson

plate no. 0284

Portrait d'Antonio Cortès

Léo Gausson, 1883

oilImpressionismportraitportraitfiguremanpipesmokeclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of atmosphere through limited color palette and soft edges.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thinned paint.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the form of the face and hand by layering and blending paint, gradually building up the highlights and shadows.

  5. step 05

    Add details to the clothing and pipe, using smaller brushes to create texture and definition.

  6. step 06

    Soften edges and blend transitions to create a sense of atmosphere and unity.

  7. step 07

    Add final highlights and details to the face and hands to bring the portrait to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, burnt sienna, and a touch of yellow ochre. Use raw umber and black for shadows, and add small amounts of blue to cool down the darker areas.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal harmony.
  • →Creating harsh edges that detract from the overall atmosphere.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Raw umber oil paint
  • ·Burnt sienna oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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