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home·artworks·Portico of the Temple of Isis at Philae
Portico of the Temple of Isis at Philae by David Roberts

plate no. 1963

Portico of the Temple of Isis at Philae

David Roberts, 1851

oilRomanticisminteriorcolumnsarchitecturefigurestempleinteriorhieroglyphs
experienced study

Recreating this painting will help students develop skills in perspective, rendering complex architectural details, and capturing the effects of light and shadow within an interior space. It also provides practice in depicting figures within a larger scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of the columns and architectural elements.

  2. step 02

    Block in the main areas of light and shadow using a limited palette of earth tones.

  3. step 03

    Develop the details of the columns, including the hieroglyphs and decorative elements.

  4. step 04

    Add the figures, paying attention to their proportions and placement within the scene.

  5. step 05

    Refine the lighting and shadows to create depth and atmosphere.

  6. step 06

    Introduce color to the capitals of the columns and the ceiling.

  7. step 07

    Add details to the floor and background elements.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cerulean blue · cadmium red · yellow ochre · viridian green

Achieve the aged stone color by mixing raw umber and white, with touches of yellow ochre. Mix blues and greens for the column capitals. Use thin washes of burnt sienna to create the warm light.

techniques

  • ·Linear perspective
  • ·Glazing
  • ·Dry brushing
  • ·Scumbling
  • ·Underpainting

common pitfalls

  • →Incorrect perspective leading to a distorted image.
  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Inconsistent lighting and shadows.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt sienna, ivory black, titanium white, cerulean blue, cadmium red, yellow ochre, viridian green)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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