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home·artworks·Porte St. Martin
Porte St. Martin by Antoine Blanchard

plate no. 3087

Porte St. Martin

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingsstreetfigurescarriagesarches
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using loose brushstrokes to suggest detail rather than render it precisely. It also provides practice in depicting reflections and creating a sense of movement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and arches.

  2. step 02

    Establish the horizon line and the vanishing point(s).

  3. step 03

    Block in the large areas of color for the sky, buildings, and street using thin washes.

  4. step 04

    Add darker values to define the shadows and architectural details.

  5. step 05

    Paint the figures and carriages with quick, gestural brushstrokes.

  6. step 06

    Create reflections on the wet street using horizontal strokes and varying values.

  7. step 07

    Add highlights and details to the buildings and figures to create focal points.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · gray · beige · brown · white

secondary · red · green · yellow · blue

Mix grays by combining complementary colors (e.g., blue and orange, or brown and blue). Use white to lighten values and create atmospheric haze. Achieve warm tones by mixing browns with yellows and reds.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints: titanium white, burnt umber, raw sienna, ultramarine blue, cadmium red
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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