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home·artworks·Porte d'Arcueil
Porte d'Arcueil by Tsuguharu Foujita

plate no. 7271

Porte d'Arcueil

Tsuguharu Foujita, 1918

oilMagic Realismlandscapesnowbridgelandscapebuildingsskywinter
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle value gradations to create a sense of depth and mood. It also provides practice in rendering textures of snow and stone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the bridge and the distant buildings.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray.

  3. step 03

    Begin layering in the sky, blending different shades of gray to create a soft, overcast effect.

  4. step 04

    Develop the bridge, using darker values to define the arches and lighter values for the snow-covered surfaces.

  5. step 05

    Add details to the buildings in the background, paying attention to their relative size and placement.

  6. step 06

    Paint the snow-covered ground, varying the texture and value to create a sense of depth.

  7. step 07

    Add the fence and other details in the foreground.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · titanium white · raw umber · ivory black

secondary · burnt sienna · yellow ochre

Achieve the various gray tones by mixing white with small amounts of black and umber. Add touches of sienna or ochre to warm the colors slightly.

techniques

  • ·value studies
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much color and creating a painting that is too vibrant.
  • →Failing to establish a clear value structure.
  • →Not paying attention to the subtle variations in the snow's texture and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to facilitate blending. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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