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Poplars by Giuseppe de Nittis

plate no. 5708

Poplars

Giuseppe de Nittis

oil, panelImpressionismlandscapetreeslandscapeskyfiguresbridgecityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. It's a good exercise in capturing a sense of light and mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, trees, bridge, and the suggestion of the distant cityscape.

  2. step 02

    Block in the sky with a thin layer of blue, allowing some of the underpainting to show through for texture.

  3. step 03

    Establish the basic values of the foreground and midground using earth tones like burnt umber and raw sienna.

  4. step 04

    Add the trees, focusing on their verticality and the subtle variations in their bark color.

  5. step 05

    Introduce the figures in the midground with simple shapes and colors, suggesting their presence without excessive detail.

  6. step 06

    Refine the details of the bridge and the distant cityscape, paying attention to their relative scale and perspective.

  7. step 07

    Add highlights and shadows to create depth and dimension, particularly in the foreground and on the trees.

  8. step 08

    Glaze with thin washes to unify the color palette and create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt umber · raw sienna

secondary · titanium white · yellow ochre · alizarin crimson

Mix blues and browns to create the muted tones of the sky and distant landscape. Use white to lighten the earth tones for highlights, and a touch of crimson to warm the shadows.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, especially in the distant cityscape.
  • →Creating overly saturated colors that detract from the muted atmosphere.
  • →Ignoring the subtle variations in value and color within the foreground.
  • →Making the trees too uniform in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A slightly textured canvas will enhance the brushwork and add visual interest.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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