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home·artworks·Pont-Aven, Noon Day
Pont-Aven, Noon Day by Childe Hassam

plate no. 6572

Pont-Aven, Noon Day

Childe Hassam, 1897

oilImpressionismgenre paintingbuildingsfiguresstreetvillagechickenssky
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing light and shadow with short, visible brushstrokes. It also provides practice in simplifying complex scenes into impressionistic forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings, figures, and street, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin layer of light blue, allowing some canvas to show through.

  3. step 03

    Establish the basic color tones for the buildings, using a mix of blues, yellows, and grays.

  4. step 04

    Apply short, broken brushstrokes of varying colors to create the texture of the stone buildings.

  5. step 05

    Add details to the figures, using small dabs of color to suggest form and clothing.

  6. step 06

    Paint the street with a mix of yellows and browns, varying the color to create a sense of depth.

  7. step 07

    Add highlights and shadows to enhance the three-dimensional effect of the scene.

  8. step 08

    Refine the details and adjust the colors as needed to match the original painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · raw umber · cadmium yellow

Mix blues and yellows with white to achieve the various shades of the sky and buildings. Use burnt sienna and raw umber to create the darker tones in the shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·pointillism
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Using too much paint and creating a muddy texture.
  • →Failing to capture the subtle variations in color and light.
  • →Ignoring the importance of negative space in the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the broken color technique.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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