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home·artworks·Polyptych of St. Peter (St. Benedict)
Polyptych of St. Peter (St. Benedict) by Pietro Perugino

plate no. 2701

Polyptych of St. Peter (St. Benedict)

Pietro Perugino, 1500

oilHigh Renaissancereligious paintingfiguresaintbookstaffhaloreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and creating a sense of depth through subtle value changes. It also offers practice in painting textures like fabric and wood.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, book, and staff.

  2. step 02

    Establish the background with a dark, muted color.

  3. step 03

    Block in the main areas of color for the figure's robe, skin, beard, book, and staff.

  4. step 04

    Begin to refine the skin tones, using layers of thin paint to build up subtle variations in color and value.

  5. step 05

    Add details to the beard, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the book, paying attention to the highlights and shadows that define its form.

  7. step 07

    Refine the staff, adding details such as the rings and the subtle variations in color.

  8. step 08

    Add the halo and any final details.

color palette

primary · ivory black · raw umber · burnt sienna · cadmium red

secondary · yellow ochre · titanium white

Mix ivory black and raw umber for the dark robe. Use burnt sienna and white to create the skin tones, adding small amounts of red for the cheeks. Mix cadmium red with a touch of yellow ochre for the book.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or unnatural appearance.
  • →Failing to create enough contrast between the figure and the background.
  • →Getting the proportions of the figure wrong.
  • →Not paying attention to the details of the book and staff.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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