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home·artworks·Pollard Willow At The Side Of The Broo
Pollard Willow At The Side Of The Broo by Cornelis Vreedenburgh

plate no. 4710

Pollard Willow At The Side Of The Broo

Cornelis Vreedenburgh

oilImpressionismlandscapetreeswaterlandscapeskyfieldreflection
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and capturing reflections in water. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the water's edge.

  2. step 02

    Block in the sky with a thin layer of light blue, allowing some canvas to show through.

  3. step 03

    Establish the main values in the landscape using a mix of browns, greens, and yellows.

  4. step 04

    Paint the tree trunks and branches, paying attention to their structure and the way light hits them.

  5. step 05

    Add the reflections in the water, using slightly darker and muted versions of the colors above.

  6. step 06

    Develop the details in the foreground, adding texture and variation to the grass and foliage.

  7. step 07

    Refine the shapes and values throughout the painting, adjusting as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Create muted tones by adding a touch of burnt umber to your colors.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the reflections too symmetrical or detailed.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the broken color effect.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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