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home·artworks·Poet Laureate with Red Hat
Poet Laureate with Red Hat by Donato Bramante

plate no. 0719

Poet Laureate with Red Hat

Donato Bramante, 1490

frescoHigh Renaissanceportraitportraitfigurearchitecturehatcolumns
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering facial features and drapery, and understanding subtle color variations to create form. It also provides practice in depicting architectural elements and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and architectural background.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of neutral color.

  3. step 03

    Begin layering in the local colors of the skin, clothing, and architecture.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Add details to the clothing and architectural elements, such as the folds in the drapery and the ornamentation on the columns.

  6. step 06

    Create the texture of the fresco by using dry brush techniques.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details.

color palette

primary · raw umber · titanium white · cadmium red light · sap green

secondary · yellow ochre · ivory black

Mix various shades of skin tone using raw umber, cadmium red light, and titanium white. Create the green by mixing sap green with titanium white and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·grisaille underpainting
  • ·dry brushing
  • ·color layering
  • ·value control

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface to better replicate the fresco look. Consider using a limited palette to simplify the color mixing process.

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