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home·artworks·Playing Putto (Musician Angel)
Playing Putto (Musician Angel) by Rosso Fiorentino

plate no. 5453

Playing Putto (Musician Angel)

Rosso Fiorentino, 1518

oil, panelMannerism (Late Renaissance)allegorical paintingangelputtolutemusicwingsfigure
some experience helpful

Recreating this painting will help students develop skills in rendering skin tones, depicting fabric textures, and understanding light and shadow to create form. It also provides practice in drawing and painting complex shapes like the lute and wings.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the angel, lute, and wings, paying attention to proportions.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main light and shadow areas on the angel's skin and the lute.

  4. step 04

    Begin layering colors to build up the skin tones, using subtle variations in hue and value.

  5. step 05

    Paint the lute, focusing on the texture and details of the wood and strings.

  6. step 06

    Add the wings, carefully rendering the feathers and the transition from white to red.

  7. step 07

    Refine the details, such as the angel's hair and facial features.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the subject.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ivory black

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Use small amounts of cadmium red for warmth. Create shadows by adding ivory black to the base colors.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·hatching

common pitfalls

  • →Overblending, which can result in a flat, lifeless appearance.
  • →Incorrect proportions, especially in the angel's face and hands.
  • →Neglecting the subtle color variations in the skin tones.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, titanium white, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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