apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Plateau Bromont at Pontgibaud (Puy de Dôme)
Plateau Bromont at Pontgibaud (Puy de Dôme) by Armand Guillaumin

plate no. 0020

Plateau Bromont at Pontgibaud (Puy de Dôme)

Armand Guillaumin, 1890

oilImpressionismlandscapehaystackslandscapefieldmountainsskytrees
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and layering brushstrokes to create texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the haystacks, horizon line, and mountain shapes.

  2. step 02

    Block in the sky with a thin wash of light blue and yellow, blending the colors.

  3. step 03

    Establish the base colors for the field using a mix of ochre, orange, and brown.

  4. step 04

    Paint the distant mountains with muted blues and purples to create atmospheric perspective.

  5. step 05

    Begin layering colors on the haystacks, using darker browns and oranges for shadows and lighter yellows and oranges for highlights.

  6. step 06

    Add details to the trees and foliage, using greens and browns.

  7. step 07

    Refine the details and add texture to the haystacks with short, broken brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · cadmium orange · viridian green

Mix muted blues and purples for the distant mountains by combining ultramarine blue with burnt sienna and a touch of white. Achieve the warm tones of the haystacks by blending burnt sienna, yellow ochre, and cadmium orange.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated, resulting in a less natural look.
  • →Failing to create a sense of depth and distance in the landscape.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·turpentine or mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

Use a medium-grain canvas to allow for texture. Acrylics are more beginner-friendly, but oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann