apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Place St. Barthélemy, Rouen
Place St. Barthélemy, Rouen by David Cox

plate no. 9160

Place St. Barthélemy, Rouen

David Cox, 1829

oilRomanticismcityscapecityscapebuildingsarchwayfiguresstreetarchitecture
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, watercolor washes, and creating atmospheric depth. It also provides practice in capturing architectural details and figures in a loose, expressive style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and archway.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Apply a light wash of diluted yellow ochre and raw sienna to the areas that will be the warmest.

  4. step 04

    Mix a cool gray using ultramarine blue and burnt umber, and apply it to the shadowed areas of the buildings and archway.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features, using a fine brush and diluted paint.

  6. step 06

    Paint the figures in the archway with simple shapes and muted colors, focusing on their silhouettes.

  7. step 07

    Strengthen the shadows and add darker accents to create depth and contrast.

  8. step 08

    Add final details, such as the signage on the building and any remaining architectural elements.

color palette

primary · yellow ochre · raw sienna · burnt umber · ultramarine blue

secondary · light gray · white

Mix various shades of gray by combining ultramarine blue and burnt umber in different ratios. Use yellow ochre and raw sienna for the warm tones of the buildings.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·perspective drawing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to establish a strong sense of perspective, resulting in a flat or distorted image.
  • →Using colors that are too saturated, which can detract from the muted, atmospheric mood.
  • →Not paying attention to the values, which can flatten the image and reduce the sense of depth.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (yellow ochre, raw sienna, burnt umber, ultramarine blue)
  • ·Watercolor brushes (round and flat, various sizes)
  • ·Watercolor paper (140lb cold press)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Ruler

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling and ensure smooth washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke