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home·artworks·Place de la Mairie
Place de la Mairie by Petru Bat

plate no. 7620

Place de la Mairie

Petru Bat, 2015

oilImpressionismcityscapebuildingsstreet scenetreesflowersbicyclefigures
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex scenes into impressionistic brushstrokes. It also provides practice in capturing light and shadow on architectural forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, clock tower, and foreground elements (bicycle, figures).

  2. step 02

    Establish the main color blocks: sky, buildings, trees, and ground.

  3. step 03

    Begin layering in the base colors for the buildings, focusing on the variations in yellow and ochre.

  4. step 04

    Add details to the clock tower, including the clock face and architectural details, using small brushstrokes.

  5. step 05

    Paint the trees and foliage, using a variety of greens and yellows to create depth and texture.

  6. step 06

    Develop the flower market scene, using small dabs of color to represent the flowers and foliage.

  7. step 07

    Add the figures and bicycle, simplifying their forms and focusing on their placement within the scene.

  8. step 08

    Refine the details and add highlights and shadows to create a sense of depth and dimension.

color palette

primary · yellow ochre · cadmium yellow · cerulean blue

secondary · burnt sienna · sap green · cadmium red

Mix various shades of yellow ochre with cadmium yellow and burnt sienna to achieve the different tones of the buildings. Use cerulean blue with white for the sky. Mix greens with sap green, yellow, and a touch of blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Using too much detail in the background, flattening the perspective.
  • →Creating muddy colors by over-mixing on the palette.
  • →Not varying the brushstrokes enough, resulting in a flat texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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