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home·artworks·Place de la Madeleine, Marche aux Fleurs
Place de la Madeleine, Marche aux Fleurs by Antoine Blanchard

plate no. 6882

Place de la Madeleine, Marche aux Fleurs

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingspeoplestreettramtrees
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections on wet surfaces. It also provides practice in depicting figures and architectural details with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color, starting with the sky and background buildings.

  3. step 03

    Establish the main light and shadow patterns on the buildings and street.

  4. step 04

    Add the tram and figures, focusing on their general shapes and proportions.

  5. step 05

    Develop the details of the buildings, trees, and figures, using smaller brushstrokes.

  6. step 06

    Create the reflections on the wet street, using horizontal strokes and varying the colors.

  7. step 07

    Add highlights and details to the figures and buildings to create depth and interest.

  8. step 08

    Refine the overall composition and adjust the colors and values as needed.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warm highlights and reflections. Add small amounts of cadmium red for accents and to create depth.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and bright.
  • →Ignoring the importance of reflections on the wet street.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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