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home·artworks·Piute Fishing on the Merced River, Yosemite Valley 1891
Piute Fishing on the Merced River, Yosemite Valley 1891 by Thomas Hill

plate no. 5437

Piute Fishing on the Merced River, Yosemite Valley 1891

Thomas Hill, 1871

oilRomanticismlandscapemountainsrivertreesrockswaterfallfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures for rocks, trees, and water. It also provides practice in creating depth and capturing the mood of a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, river, and trees, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the general layout of the landscape.

  3. step 03

    Block in the main color masses for the sky, mountains, water, and foliage using thin washes.

  4. step 04

    Develop the values in the mountains, creating depth and form with light and shadow.

  5. step 05

    Add details to the trees and foliage, varying the colors and textures to create a sense of realism.

  6. step 06

    Paint the river, capturing the reflections and movement of the water.

  7. step 07

    Add the rocks and foreground details, paying attention to their shapes and textures.

  8. step 08

    Refine the details and add highlights to complete the painting.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · sap green

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to add warmth to the rocks and foliage. Mix sap green with raw umber for darker greens.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much green and not enough variation in the foliage.
  • →Ignoring the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →how to learn by studying the masters →
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