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home·artworks·Piperviksbakken
Piperviksbakken by Karl Edvard Diriks

plate no. 6343

Piperviksbakken

Karl Edvard Diriks

oilImpressionismcityscapecityscapesnowbuildingsfigurestreesstreet
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: the building, the road, and the horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of muted tones, focusing on the values.

  3. step 03

    Block in the larger shapes of the building and the road with broader brushstrokes.

  4. step 04

    Add the figures along the road, simplifying their forms and focusing on their placement.

  5. step 05

    Paint the trees with thin, broken lines, suggesting the branches and twigs.

  6. step 06

    Develop the atmospheric perspective by softening the details and lightening the values of distant objects.

  7. step 07

    Add highlights to the snow and the building to create a sense of light and shadow.

  8. step 08

    Refine the details and add any final touches to complete the painting.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix white with small amounts of raw umber and yellow ochre to create the various shades of snow and the building. Use ultramarine blue and burnt sienna to create grays and browns for the trees and figures.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and flattening the atmospheric perspective.
  • →Making the figures too detailed and distracting from the overall scene.
  • →Not establishing a clear value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·painting medium (linseed oil or alkyd medium)
  • ·easel

A slightly textured canvas will help to create a more impressionistic effect.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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