
plate no. 6073
James McNeill Whistler, 1884
This painting is a great exercise in capturing light and shadow with watercolor washes. Students can learn to simplify forms and create depth through layering translucent colors.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, doorway, and background.
Apply a light wash of diluted yellow ochre across the entire paper as a base tone.
Begin layering washes of brown and gray to define the doorway and background, building up darker values in the shadows.
Paint the figure with light washes of pink for the shirt and blue-gray for the skirt.
Add details to the face and hands with small, controlled brushstrokes.
Indicate foliage and details in the background with loose, gestural marks.
Define the edges of the doorway and figure with slightly darker washes.
Add final touches and highlights to create a sense of depth and atmosphere.
color palette
primary · yellow ochre · burnt umber · payne's gray
secondary · rose madder · cerulean blue
Mix browns by combining burnt umber with yellow ochre and a touch of payne's gray. Create the pink by diluting rose madder with water.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.
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