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home·artworks·Pillar of the Elvira street
Pillar of the Elvira street by Marià Fortuny

plate no. 7197

Pillar of the Elvira street

Marià Fortuny

oilRomanticismcityscapebuildingstreetarchitecturewalldoorcityscape
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing the essence of a scene with simplified forms and color variations. It also provides practice in creating depth and texture with layered brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the building and its features.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, focusing on the light and dark areas.

  3. step 03

    Begin blocking in the main colors of the wall, door, and ground using broad, loose brushstrokes.

  4. step 04

    Layer additional colors and values to create depth and texture in the wall and ground.

  5. step 05

    Add details to the door and architectural elements, using smaller brushes and more precise strokes.

  6. step 06

    Refine the highlights and shadows to enhance the form and create a sense of light.

  7. step 07

    Add final touches and details to complete the painting, paying attention to the overall balance and harmony.

  8. step 08

    Allow to dry and add a varnish.

color palette

primary · burnt sienna · ultramarine blue · titanium white · raw umber

secondary · cadmium red · yellow ochre

Achieve the warm tones of the wall by mixing burnt sienna with cadmium red and a touch of yellow ochre. Create the darker tones for the ground and door by mixing raw umber with ultramarine blue and a touch of burnt sienna.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to establish a strong value structure early on, resulting in a flat and lifeless painting.
  • →Using colors straight from the tube without mixing them, leading to a lack of harmony and depth.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushwork and create a more tactile surface.

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oil painting for beginners →how to learn by studying the masters →
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