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home·artworks·Pietro Stanislao Parisi with family
Pietro Stanislao Parisi with family by Giuseppe Tominz

plate no. 9248

Pietro Stanislao Parisi with family

Giuseppe Tominz, 1849

oil, canvasRomanticismportraitportraitfamilylandscapeclothingdogfigures
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabrics and creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the background landscape with broad strokes, establishing the horizon line and major landforms.

  3. step 03

    Establish the main colors for the figures' clothing and skin tones, mixing a range of values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the faces.

  5. step 05

    Add details to the clothing, such as folds, lace, and buttons.

  6. step 06

    Paint the dog, focusing on capturing its fur texture and expression.

  7. step 07

    Refine the background details, such as the trees, water, and sky.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · cadmium red light · viridian

Mix various shades of skin tones by combining white, yellow ochre, and a touch of red and umber. Create the blue of the dress by mixing ultramarine with white and a touch of grey. Achieve the greens of the landscape by mixing viridian with yellow ochre and white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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