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home·artworks·Piazza Santa Maria del Pianto
Piazza Santa Maria del Pianto by John Ruskin

plate no. 8765

Piazza Santa Maria del Pianto

John Ruskin, 1840

oilRomanticismcityscapecityscapearchitecturefountainfiguresbuildingsplaza
some experience helpful

Recreating this painting will help students develop skills in linear perspective, value shading, and creating a sense of depth using atmospheric perspective. It also provides practice in rendering architectural details and figures in a believable way.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic shapes and perspective of the buildings and fountain.

  2. step 02

    Focus on establishing the horizon line and vanishing points to ensure accurate perspective.

  3. step 03

    Block in the main areas of light and shadow using a mid-tone gray.

  4. step 04

    Gradually build up darker values in the shadows, paying attention to the form and texture of the buildings.

  5. step 05

    Add highlights to create contrast and define the edges of objects.

  6. step 06

    Refine the details of the architecture, such as windows, doors, and decorative elements.

  7. step 07

    Add figures and other elements to the scene, paying attention to their scale and placement.

  8. step 08

    Make final adjustments to values and details to create a cohesive and atmospheric image.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix varying ratios of ivory black and titanium white to achieve different shades of gray. Add small amounts of raw umber or payne's gray to create warmer or cooler tones.

techniques

  • ·linear perspective
  • ·value shading
  • ·atmospheric perspective
  • ·hatching
  • ·scumbling

common pitfalls

  • →Incorrect perspective can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Ignoring the values can result in a flat and lifeless image.
  • →Not establishing a clear light source will make the painting look confusing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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