apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Piazza San Marco, Venice
Piazza San Marco, Venice by Richard Parkes Bonington

plate no. 0559

Piazza San Marco, Venice

Richard Parkes Bonington, 1827

watercolor, paperRomanticismcityscapecityscapearchitecturebuildingsfiguresskyplaza
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with watercolor washes. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and the horizon line.

  2. step 02

    Establish the sky with diluted washes of blue and grey, allowing for soft cloud formations.

  3. step 03

    Apply a light, warm underwash to the buildings and plaza, establishing the overall tone.

  4. step 04

    Build up the architectural details with progressively darker washes, focusing on shadows and highlights.

  5. step 05

    Add details to the figures in the foreground, using small brushstrokes and muted colors.

  6. step 06

    Refine the architectural details, adding texture and definition with dry brush techniques.

  7. step 07

    Adjust values and colors to create atmospheric perspective, making distant elements lighter and less defined.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · raw umber · cadmium red light · ivory black

Achieve the warm tones of the buildings by mixing yellow ochre with burnt sienna. Create the sky by diluting ultramarine blue with water and adding touches of grey. Use raw umber for shadows and architectural details.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·atmospheric perspective
  • ·glazing
  • ·rendering architectural details

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring atmospheric perspective and making distant elements too sharp.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·masking tape
  • ·sketching pencil
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke