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home·artworks·Philippe Lenoir
Philippe Lenoir by Horace Vernet

plate no. 1925

Philippe Lenoir

Horace Vernet, 1814

oilRomanticismportraitportraitfiguremilitarylandscapeskyarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding atmospheric perspective in landscape painting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, using simplified color values to define the form.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle variations in skin tone.

  5. step 05

    Add details to the uniform, including the buttons, epaulettes, and other embellishments.

  6. step 06

    Paint the hands and sword, paying attention to the anatomy and the way light interacts with the surfaces.

  7. step 07

    Add the final details to the background, including the architecture and foliage.

  8. step 08

    Glaze and adjust colors as needed to create a cohesive and harmonious painting.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · cadmium red · yellow ochre · ivory black

Achieve the skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the dark blues of the uniform by mixing ultramarine blue with ivory black. Use glazes of burnt umber to create shadows and depth.

techniques

  • ·portrait painting
  • ·atmospheric perspective
  • ·glazing
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones
  • →Lack of depth in the background
  • →Overworking the details
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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