apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peytona and Fashion
Peytona and Fashion by Currier and Ives

plate no. 8199

Peytona and Fashion

Currier and Ives

oilRomanticismgenre paintinghorse racecrowdfigureslandscapecarriagesbuildings
experienced study

Recreating this painting will help students develop skills in depicting large crowds, creating a sense of depth through atmospheric perspective, and rendering figures in motion.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, racetrack, and major groups of figures.

  2. step 02

    Establish the sky and ground with broad washes of color, paying attention to the overall warm tone.

  3. step 03

    Block in the main shapes of the buildings, carriages, and large groups of people.

  4. step 04

    Begin adding details to the figures in the foreground, focusing on their gestures and clothing.

  5. step 05

    Paint the horses and jockeys, paying close attention to their anatomy and movement.

  6. step 06

    Refine the details in the middle ground, using smaller brushstrokes and less contrast.

  7. step 07

    Use atmospheric perspective to create depth by softening the details and colors in the background.

  8. step 08

    Add final highlights and shadows to create a sense of form and dimension.

color palette

primary · burnt umber · yellow ochre · Prussian blue · titanium white

secondary · cadmium red · ultramarine blue

Mix various shades of brown and tan by combining burnt umber, yellow ochre, and white. Use Prussian blue and white for the sky, and add small amounts of red or yellow to create variations in the ground color.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering motion
  • ·layering
  • ·scumbling

common pitfalls

  • →getting bogged down in details too early
  • →inconsistent scale of figures
  • →lack of depth
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·assorted round and flat brushes
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a warm undertone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke