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Petra by Edward Lear

plate no. 4795

Petra

Edward Lear, 1859

oilRomanticismlandscapemountainslandscapearchitectureriverrocksvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create realistic landscapes. Students will also practice rendering details in architecture and natural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and foreground elements.

  2. step 02

    Establish the sky with a light blue wash, blending it softly towards the horizon.

  3. step 03

    Block in the distant mountains with light browns and grays, paying attention to the atmospheric perspective.

  4. step 04

    Add the mid-ground hills and plains, using warmer browns and yellows.

  5. step 05

    Define the riverbed with a mix of blues, greens, and browns, suggesting the flow of water.

  6. step 06

    Paint the foreground rocks and vegetation, adding details and textures.

  7. step 07

    Add the architectural details to the mountain face, using precise brushstrokes.

  8. step 08

    Refine the overall painting, adjusting values and colors to create depth and realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · sap green

Mix various shades of brown and gray by combining the primary colors. Use white to lighten colors and create atmospheric perspective. Add small amounts of green to the browns to create a natural, earthy feel.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details in the distant mountains, losing the atmospheric perspective.
  • →Using colors that are too saturated, creating an unnatural look.
  • →Failing to establish a clear value structure, resulting in a flat painting.
  • →Neglecting the importance of soft edges in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water

optional

  • ·easel
  • ·painting varnish
  • ·rags

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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